Supercut Explores Wes Anderson's Love Of Red And Yellow

If film directors truly are artists - and the screen their pallet - Wes Anderson is like a modern day van Gogh.

 

Not because Vincent himself was partial to bicycles, bowties, and Bill Murray (though we wouldn’t put it past him), but because each man's opus bears a unique visual style that separates them from their peers using distinct colour patterns.

 

 

If you like Anderson's work, you'll lap this up.